Audio FX

Each audio FX (or audio effect) device manipulates incoming audio signals before passing them onward. Incoming messages may be used as triggers but are passed through without change.


A comb-filter diffusion effect where each stereo channel has two comb filters, each with two feedback controls.


A chorus effect with an adjustable LFO with phase offset for the right channel (R Phase).


A comb filter effect with frequency and bipolar feedback controls.


A flanger effect with an adjustable LFO and feedback parameters for both magnitude ( Feedb.) and phase (Neg.). This device can be set to Retrig(ger) on incoming note messages.

Freq Shifter

A frequency shifter with an adjustable frequency range. This device can also distribute the upward and downward frequency shift across the stereo field.


A phaser whose Frequency setting is controlled by an LFO modulator module by default. Separate phase (ø) controls exist for the frequency on the L(eft) and R(ight) channels so that you can keep everything synced but interesting. Also includes a feedback (FB) control and a high-pass filter with adjustable cutoff frequency and slope (from anywhere between 2-Pole and 32-Pole).

Pitch Shifter

A pitch shifter (like a musical signal transposer) with a high-resolution frequency control, a Grain setting for adjusting how the processing is done, and a Mix control, allowing harmonization.


A ring modulator with a definable frequency and a Mix control for blending the source material with the resultant sum and difference tones. The device also has Pre- and Post-processing device chains.


A rotary-speaker emulation that modulates the signal's placement in the stereo field.


A ring modulator that utilizes the incoming audio signal and a sine wave whose tuning is based on that incoming signal. Pitch detection is sampled only above a set Threshold amplitude, can be limited with low-pass and high-pass filters, can be offset (Pitch) for shifting the sine tone's frequency, and can be slewed (Speed) to respond more quickly or ponderously. For processing, the amount of Ring modulation goes anywhere between a simple sine wave (at 0%) to more harmonically complex results.


An amplitude modulator that is controlled by an LFO of various waveshapes. This device can be set to Retrig(ger) on incoming note messages.

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